Breath & Shadow
A Journal of Disability Culture and LiteratureSpring 2016
By Jessica Goody
“At last, I began to consider my mind's disorder a sacred thing.”-Arthur Rimbaud
the poison palace of the womb.
One quadrant of my brain is blank,
oxygen lost like air from a broken balloon.
In my mind’s eye, that hollow is dark,
a clotted cave of scar tissue. Elsewhere,
brain pathways are lit like switchboards,
thoughts blinking like turn signals.
You can see the nerve-socket glow,
trace its trail from synapse to cell.
The ego delights in taxonomy, sorting the population
into neat categories: “normal”, “perfect”, “strange”.
Imaginary words, transient and impossible
as the ever-shifting horizon.
All neurodivergency is the same.
The tic and twitch of Parkinson’s Disease
isn’t all that different from the spastic’s spasm:
The complicated electrical mechanisms of the mind
are controlled by the same mental motherboard.
The brain rattles in a dance of the ancient trickster god.
Numbers and letters flicker on the page like butterflies
defying capture, evading lepidopterous nets and corkboards.
Perhaps the silence of the autistic, the selective mute
is a defense mechanism against society’s noise,
the volatile verbosity of Tourette’s
a simple refusal to let his subconscious go unheard.
By Jessica Goody
The scar was violently red,
curving in the exact shape
of the breast that was no longer there.
I could not stop staring, could not decide
what was more obscene, more shocking:
the nudity of an authority figure,
or the vivid cruelty of deformity and scar tissue.
Her children were long grown, parents themselves,
that day when I accidentally walked into her bedroom.
She did not hear my knock. Her eyes were hard with pride.
My gasp was like a breath of wind. I had never heard
of such a thing, an amputated mammory.
Did she have phantom chest pains, like soldiers?
Did she trace the trail of the scar at night, fingering
a shadow of flesh? Was it warm to the touch,
redly inflamed and new? Does she mourn?
How long for the memory to fade,
of a once-healthy, perfectly-proportioned body
rendered lopsided and blank?
Did she miss the familiar image of herself, smooth and whole?
Or did she feel lighter with the missing flesh carved away,
the heavy bosom no longer hefted and strapped into place
with a brassiere sculpted of metal and lace?
She was far too modest to consider the mercenary uses of breasts,
the women who employ their figures like weapons
with which to seduce and manipulate.
Left infertile by the time-release process of menopause,
her skirts and sheets no longer stained red-black with clots of blood,
did she feel relief at the thought of her crone-hood,
her status transfigured from work-horse and pack-mule into wise elder?
Without the messiness of the monthly bloodletting,
the biological imperative of reproduction, did she feel a weight lifted
or did she feel lost, adrift, remembering the infant in her arms,
the nourishment of one body flowing into another?
“Neurodivergency” previously appeared in Barking Sycamores.
Jessica Goody writes for SunSations Magazine and The Bluffton Sun. Her work has also appeared in numerous publications and anthologies, including Chicken Soup for the Soul, Spectrum, Barking Sycamores, HeART, Gravel, PrimalZine, Kaleidoscope, Open Minds Quarterly, and Wordgathering. She was awarded second place in the 2015 Reader’s Digest Poetry Competition.