Breath & Shadow
June 2026 - Vol. 23, Issue 3
"Calibration"
written by
Stephen Jackson
The last thing Miriam wanted to do was open the boxes.
Cass had organized them by decade—a system so rational it was almost unkind. 1988–1995 in the top row. 1995–2003 in the middle. The bottom row unlabeled, just debris from the closet, pushed toward the wall by years of accumulation. Miriam stood in the doorway of what had been Cass’s bedroom for four years, briefly, before Cass moved to Portland, and before that had been the room where Miriam worked for twelve years, and before that the guest room, and before any of that—its original designation—the room where Miriam had spent three weeks in the summer of 1994 trying to understand what was happening to her body.
“You don’t have to stay,” Cass said. She was kneeling by the middle row, extracting a shoebox. “I can do this.”
“I know you can.” Miriam came in and sat on the floor with the economy of motion she had spent thirty years perfecting—a particular way of lowering herself that conserved something. Energy was too simple a word. It was more like conservation of self. “I want to.”
That was also not exactly true. She wanted to want to.
Cass opened the shoebox. Old papers—undergraduate syllabi, a parking permit, a card from a friend Miriam didn’t recognize. “Do you want the syllabi?”
“God, no.”
They worked in companionable rhythm for a while. The room was hot in the particular way of rooms under a slanted roof; June light came through the window at an angle that bleached everything on the left side of the floor. Miriam felt her hands working with a steadiness she’d learned to distrust—the mornings she felt this capable were often the ones she paid for, later. She had a theory about it. She had many theories about it. After thirty years, the theories were a library she moved through daily, consulting, cross-referencing, never quite checking anything out.
The bottom row. She pulled one box forward and opened it without looking at the label.
Inside: a row of composition notebooks, spines vertical, in the order they’d been inserted. The spines were labeled in her own handwriting, in the blue felt-tip she’d used for everything in those years. The letters were tighter than her handwriting now. Smaller. The "A"s were closed. The "L"s were precise.
Vol. I, Oct. 1993 – Feb. 1994.
Vol. II, March 1994 – Sept. 1994.
Vol. III.
She counted. Twelve notebooks, black-and-white marbled covers, filling the box.
“I’m going to get water,” Cass said. “Do you want something?”
“No.” Then: “Yes. Tea, if there’s any.”
She waited until she heard Cass on the stairs.
She pulled out Volume I.
#
The handwriting was hers but in the way that a city is yours after you’ve left it for twenty years. The shapes were recognizable, even in some ways familiar, but the weight behind them was foreign. The young woman who had written this had been twenty-eight and frightened in a very specific way—the frightened of someone who has noticed something real and cannot get anyone else to see it.
Oct 12, 1993. Heart rate upon standing: counted 30 beats above lying-down rate. Stood in bathroom 10 min, dizziness began at min 7. Temperature of hands: cold (usual). Slept 11 hrs; woke unrefreshed. Symptom log attached.
The symptom log was a grid drawn by hand, folded into the notebook. She had made her own forms before she found the forms others had made. She had invented her own vocabulary before she learned the vocabulary that already existed. She had been doing this for a year before her first doctor—the one she didn’t like, the one she thinks of as The First Doctor when she thinks of him at all—had told her she was hypervigilant.
She remembered the word landing.
Hypervigilant. He had meant it as a diagnosis of the observer, not the observed. He had meant: you are watching too carefully; the watching is the problem. She had spent six months considering this possibility earnestly before concluding that he was wrong.
She was right. She had been right.
The vindication, which arrived fourteen years later, had not felt like she’d imagined it would. It felt like someone returning a library book she’d been charged late fees on for a decade and a half. Useful, yes. The fees were not refunded.
#
Nov. 4, 1993. Tried to explain to D. that the fatigue is not tiredness. He nodded. He does not understand. I am not sure tiredness and fatigue are even experienced in the same part of the brain. Tiredness is in the legs. Fatigue is something that starts behind the eyes and goes all the way through, and what it leaves is not a feeling but an absence of feeling.
D. was Douglas. She observed his presence in the young woman’s sentences and felt something abstract and floorless, the shape left by grief after it’s been neatly folded and put away.
She turned pages.
#
Dec. 19, 1993. Strange thing. Came home from the party early (the lights, the noise—usual). Walked in the dark through the kitchen and noticed I could feel the cold of the tile through my socks before I touched it. I don’t know how to describe this accurately. There was a moment of knowing before contact.
I have noticed this before. I call it anticipatory sensation—I feel the body’s environment slightly before the sensors have processed it. I don’t know if this is a symptom or something else. I have added it to the log but I don’t know what column it goes in.
Miriam read this three times.
She remembered the tiles. She did not remember writing this. She did not remember the party, or walking home from the party, or the kitchen in the apartment she must have been living in then—on Carver Street, the one with the radiator that clanged. She remembered the radiator.
She did not remember knowing this about herself.
And yet it was here, in her handwriting, in her precise closed "A"s. The young woman had noticed. The young woman had found no column for it and had added it to the log anyway.
#
Cass came back with the tea. Miriam closed the notebook without moving her finger from the page.
“What’s that?”
“My journals. From the beginning.”
Cass set the mug down beside her and looked at the cover. Her face did the thing it did when she was being careful. Cass had spent her childhood learning to be careful in the particular way that children learn when the adult who loves them most is also, sometimes, unavailable. She had become, as a result, a woman who was very good at managing her own responses. Miriam had noticed this for years and carried it.
“I didn’t know you still had those.”
“I didn’t either.”
Cass sat on the floor across from her, cross-legged, her own mug steaming. She was forty-three now; she had her father’s jaw and her mother’s mouth and something entirely her own behind the eyes. Miriam looked at her sometimes and felt a vertigo that wasn’t physical—the recognition that this person had once been entirely dependent on her and had grown into someone who could pack up a house alone, who did not need the journals explained.
“Are you all right?” Cass asked.
Miriam considered.
She had been asked this question approximately ten thousand times. She had developed, over thirty years, a set of accurate and compact responses calibrated to what the questioner could receive. Fine, thank you. Managing. Not bad today. The precision of these answers was itself a kind of art; she was proud of it in the way she was proud of few things.
She opened the notebook to the December entry.
“Do you want to read something?” she asked.
#
She read Cass the passage about the tiles. She read it carefully, at the pace the words required, and she did not editorialize or contextualize. When she finished, the room held the particular silence of a room in which something true has been said.
“That’s beautiful,” Cass said, quietly.
Miriam had not thought of it that way. She had been thinking about how she had lost it—the knowing, the noticing, or rather the naming of it. How somewhere between 1993 and now she had stopped writing that kind of observation because she had stopped believing it belonged in the log. The years had trained her to file only what could be used: heart rate, duration, trigger, response. She had learned to distrust the observations that didn’t fit the grid. She had become too efficient. The archive had been curated into usefulness, and what she was left with was a library that functioned perfectly and contained, she now suspected, mostly practical texts.
The young woman had kept the impractical ones.
“She sounds like she’s trying to figure out something that matters,” Cass said.
“She was.”
“She was you.”
“She was something before me.” Miriam touched the worn spine. “Before I knew what I was working with. When I was still making notes on things that didn’t have names yet.”
She felt, not for the first time but more acutely than usual, the vast labor of it. The thirty years of translation work: body into words, words into documents, documents into conversations with people who held clipboards. She had built an entire interpretive system, had become an expert in a subject the establishment had been slow to recognize, had done this while also working and raising Cass and selling the house and buying the house and the ten thousand ordinary acts of a life. The weight of it lived in her back, specifically, in a band of tension across her shoulder blades—the body’s record of its own long watch, which she had never quite found the right entry for.
She had not, until this moment, quite added up the cost.
#
“I think I got very good at protecting it,” she said. She was not entirely sure what she meant.
Cass waited. She had always been good at waiting.
“The knowing. My understanding of my own—” Miriam paused. “I got so good at translating it for other people that I stopped spending time just knowing it. The raw version.”
“And these are the raw version.”
“These are from before I knew I needed to translate.”
The tea was cooling. The light through the slanted window had shifted; the bleached strip on the floor had moved toward the wall. Miriam thought about the years of appointments she had prepared for—sometimes two weeks of preparation for a fifteen-minute encounter. The logging and the documenting and the careful language, all so that someone with a clipboard could understand, approximately, what she already knew completely.
The twelve notebooks in the box.
“I should probably,” she began—meaning she should put the notebook away, keep working, there were six more boxes, at least, and the hall closet.
“You could take them with you,” Cass said.
Miriam looked at her.
“The notebooks. You could just take them.” Cass had a particular expression she’d had since childhood when she was trying not to have an opinion. “You don’t have to decide anything about them today.”
Miriam thought about her apartment—the new apartment, which she had not yet stopped calling new even though she’d been there two years. The spare bedroom with no one to spare it for. The nightstand with her current log, her phone, her water, her pills in their weekly organizer arranged in the particular order she’d established because order was a form of care. She had learned that. It was true.
There was a shelf above the nightstand. It had been empty since she moved in.
She put Volume I in her bag.
Then Volume II.
“You don’t have to take all of them today,” Cass said.
“I know.” She lifted the box. “Help me with this.”
#
They worked for another two hours. The light went orange, then blue. Miriam felt the familiar tidal withdrawal of her energy—not crashing, not today, but the gradual drawing-back that meant she needed to be horizontal within the hour. She knew this the way she knew the cold of the tiles before contact. She had always known it. She had just, for a while, stopped writing it down.
She did not know what she would do with the notebooks. She did not know if she would read them sequentially or in fragments, alone or—something she was considering, couldn’t quite look at directly—with Cass. She did not know if they would give her something back or only show her what had been given away in the process of surviving. Both possibilities were frightening. Both were, she was beginning to understand, the same possibility.
“Mom.” Cass was in the doorway, her coat on. “I think that’s enough for today.”
“One more box.”
“It’ll keep.”
Miriam looked at the remaining boxes. The decades. The room that had been several rooms. She thought about the December entry and the cold of the tiles known before contact, and she thought about thirty years of translation work, and she thought about the young woman who had not yet learned to translate—who had simply recorded what she knew with her small precise closed as and filed it, unknown to herself, in a box under a slanted roof until the right afternoon.
She stood.
“There was something I noticed,” she said, “in the early years. I never found the right category for it.” She picked up her bag, which was heavier now. “I’d like to tell you about it sometime. When I’ve read some more.”
Cass’s expression did something complicated. Miriam watched it, and thought that she would like to find the entry she’d written when Cass was born, if there was one. She thought there probably was.
“Okay,” Cass said. “I’d like that.”
They turned off the light.
The boxes would keep. The notebooks were in the bag, the bag was on Miriam’s shoulder, and the archive—the raw one, before translation—was moving with her into the next room.
# # #
Stephen Jackson is a writer, musician, and educator living on the border between the United States and Mexico. His work frequently explores the liminality of spaces, systems of belief, and interactions between the sacred and secular. Past works have been published in “Black Fox Literary Journal”, “The International Human Rights Arts Movement Literary Magazine”, “Eternal Haunted Summer”, “Miserere Review.” He is a finalist for the 2026 Rhysling Award.

